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• Aimee mann magnolia soundtrack youtube movie#

When listening to Mann’s nine songs on the soundtrack, you can’t help but speculate which songs or lyrics were written about which characters and so on, because they all seem so applicable to the film’s themes and characters. “That was really ballsy of the director to do that, but it worked out well,” says Mann. It’s really an unprecedented scene in film history, creating three or four minutes’ worth of the cast singing along to a song the audience had never heard before.

Aimee mann magnolia soundtrack youtube movie#

Matter of fact, director Paul Thomas Anderson had enough faith in Mann’s music to build an entire scene around “Wise Up.” For those of you who haven’t seen Magnolia, one of the most climactic and powerful scenes of the movie involves individual shots of all the main characters singing about 20 or 30 seconds of “Wise Up” as they find their lives fallen into utter disrepair.

The director never really said, ‘Try to capture this mood or scene or anything.’ It was more about writing songs that would fit into the overall scheme of things. It was just a coincidence that they ended up fitting so well. “Most of them I had been working on before I’d even been asked to have my music in the movie.

“A lot of those songs really had little to do with the script,” Mann admits. One may expect the artist to have an exhaustive understanding and connection with the script and characters, but with Mann and Magnolia, it’s clear that this is not necessarily the case. The challenge of writing a single song for a film seems to be a daunting one, much less a whole soundtrack. Further studio efforts also confirm her neurotic fascination with the human psyche, which, combined with her songwriting smarts and accessible musical style, made her a prime candidate for a film tackling the psychosomatic idiosyncrasies of its characters. Take your pick of songs from her two albums prior to Magnolia, Mann’s 1993 debut Whatever or 1996’s I’m With Stupid, and you’ll find that this tunesmith was quite experienced in writing songs about disappointment- particularly with relationships, one of the central themes in Magnolia. So, what made Mann the frontrunner for this gig as the musical force behind Magnolia-a dark, avant-garde film about nine people loosely interconnected through a game show, in which the characters’ lives all seem to fall apart on the same day? Putting aside her friendship with the director, anybody familiar with her music knows just how natural a fit Mann was. But not until Boogie Nights director Paul Thomas Anderson asked her to write songs for his 1999 film, Magnolia, did Mann’s music really make its mark in cinema history. She even has an acting credit to her name, playing the female nihilist in The Big Lebowsk.

Her material has appeared in a number of movies, including Jerry Maguire, Sliding Doors and Cruel Intentions. Mann is no stranger to having directors use her songs in film. In that sense, Aimee Mann is part of a small, elite group of pop artists that can claim such a distinction. But rarely are artists commissioned to provide an entire soundtrack’s worth of original material for a movie in which they shared no part in filming or writing- in essence creating a score of new songs that carry their weight independent of the film. And then there are great albums like Prince’s Purple Rain or Curtis Mayfield’s Superfly, which are more or less musical versions of their film’s script. Rock ‘n roll has played witness to a number of films that have been created from classic albums, like Pink Floyd’s The Wall or The Who’s rock-opera Tommy.